Past Exhibitions
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About the Artists
Our vibrant and dynamic artists are from the Utopia region; a large remote area of Central Australia which, until recently, had no government funded art centre. As a result of their pioneering efforts, they have one of the strongest and richest art histories.
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Subscribe to receive your exclusive preview of exhibitions prior to opening.
You will be able to view and purchase exhibition artworks before they go live.
Past Exhibitions
Subscribe to receive your exclusive preview of exhibitions prior to opening.
You will be able to view and purchase exhibition artworks before they go live.
Subscribe
About the Artists
Our vibrant and dynamic artists are from the Utopia region; a large remote area of Central Australia which, until recently, had no government funded art centre. As a result of their pioneering efforts, they have one of the strongest and richest art histories.
Explore More Artist Bio's >
About the Artists
Our vibrant and dynamic artists are from the Utopia region; a large remote area of Central Australia which, until recently, had no government funded art centre. As a result of their pioneering efforts, they have one of the strongest and richest art histories.
Die linearen Muster in diesem Gemälde stellen zeremonielle Körperbemalungsmuster für Frauen dar, die als Awelye bezeichnet werden. Frauen von Atnwengerrp zeichnen diese Muster auf ihre Brüste, Arme und Oberschenkel und singen, während jede Frau an der Reihe ist, „bemalt“ zu werden.
Eine von Mollys wichtigsten Dreamtime-Geschichten handelt von den Anemangkerr; eine kleine kugelige Frucht, die einer kleinen Melone ähnelt. Diese Frucht ist reich an Vitamin C und wird wegen ihrer außergewöhnlichen Haltbarkeitseigenschaften geschätzt. Im Zusammenhang mit dieser Geschichte werden von den Frauen des Atnwengerrp-Landes Frauenzeremonien durchgeführt.
Farben: Matisse's Titanium White und Australian Ghost Gum
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