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Our dynamic artists are from the Utopia region, a large remote area of Central Australia with no government funded art centre. It has one of the richest art histories and is strongly female led.
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About the Artists
Our dynamic artists are from the Utopia region, a large remote area of Central Australia with no government funded art centre. It has one of the richest art histories and is strongly female led.
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“The Dreamtime is the mythological representation of what Aboriginal people carry in their minds. The source of life! This knowledge has not just been planted in their minds, it is taught and structured through initiation and ceremony.” - A.P. Elkin, Professor of Anthropology, 1920’s-1930’s
“The Dreamtime is the mythological representation of what Aboriginal people carry in their minds. The source of life! This knowledge has not just been planted in their minds, it is taught and structured through initiation and ceremony.” - A.P. Elkin, Professor of Anthropology, 1920’s-1930’s
Pencil Yam Dreaming
Conkerberry Dreaming
Women's Ceremony
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Molly Pwerle is an Australian Aboriginal artist aged in her 90's. She began painting in 2004 when her niece Barbara Weir organised a workshop for her and her sisters Geyla, Emily and Minnie Pwerle. At that time, Minnie was a successful artist who had become highly sought after within just a few years of painting.
Molly's works have been exhibited across Australia and the US, and include collaborations with her sisters. She paints works depicting her Dreaming, Anemangkerr, and the associated ceremonial elements. Anemangkerr is a large bush tomato commonly referred to as bush melon. Its seeds are discarded and the fruit eaten. It grows in northern Utopia, near Molly's home, and is favoured for its exceptional keeping qualities.
Molly, Geyla and Emily have remained out of the limelight since Minnie's passing and live in a small, remote settlement in northern Utopia. The sisters live together in a communal humpy on the outskirts of the settlement and maintain traditional customs and living off the land.
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