A large-scale effort to document and address the importance of bush medicines at Utopia occurred in 2007 when a project called The Utopia Bush Medicine Project was initiated in response to a request from senior women of Utopia for support to document traditional bush medicine knowledge. They wanted to ensure that younger people would continue to identify plants, know where to find them, how to prepare them and how to use them.
Over the next three years the project, led by the Centre for Australian Language and Linguistics (CALL) at Batchelor Institute, produced many animations, films, books and exhibitions on Bush Medicine. Some of the women who were involved in the project include Lena Pwerle, Pansy McLeod, Katie Kemarre, Lucky Morton, Patsy Long, Jeannie Mills, Lily Lion and Malanda Kunoth.
Both Katie and Patsy's work is featured in our Bush Medicine Exhibition.
Some of the outputs of the project are available to watch or read on CALL's website, including a video of artist Pansy McLeod making bush medicine, a slideshow and voice over of ilpengk medicine being made, and Lena Pwerle showing how to cure warts with a spindle from the conkerberry tree.
Here are direct links to some of their amazing content:
Slideshow of women making ilpengk. Voice over by Lena Pwerle and Rosie Kunoth Kngwarreye. Ilpengk leaves are collected, crushed and boiled to make a bush medicine. Dorrie Jones paints this bush medicine and her work is featured in Bush Medicine Exhibition.
Video: Making bush shampoo. A bush ‘cosmetic’ rather than a medicine, but this video was produced by young women at Utopia as part of the Bush Medicine Project.
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Dolly Mills Petyarre was one of the most talked about names in Utopia art back in the 90's with group and solo exhibitions across Australia's capital cities.
Now 72, Dolly wants you to know she's not finished yet and has been working on something special after a long hiatus.
Be inspired by the richness of the desert. Warm desert hues are the heroes of this calm yet inviting palette; dusty roses, bright yellows, desert reds and a hint of oasis blue.
More importantly, artworks represent ancient ancestral stories and a deep connection to the desert-like country of remote Central Australia.