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Our dynamic artists are from the Utopia region, a large remote area of Central Australia with no government funded art centre. It has one of the richest art histories and is strongly female led.
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About the Artists
Our dynamic artists are from the Utopia region, a large remote area of Central Australia with no government funded art centre. It has one of the richest art histories and is strongly female led.
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Past Exhibitions
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“The Dreamtime is the mythological representation of what Aboriginal people carry in their minds. The source of life! This knowledge has not just been planted in their minds, it is taught and structured through initiation and ceremony.” - A.P. Elkin, Professor of Anthropology, 1920’s-1930’s
“The Dreamtime is the mythological representation of what Aboriginal people carry in their minds. The source of life! This knowledge has not just been planted in their minds, it is taught and structured through initiation and ceremony.” - A.P. Elkin, Professor of Anthropology, 1920’s-1930’s
Pencil Yam Dreaming
Conkerberry Dreaming
Women's Ceremony
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Artist: Hazel Morton
Skin name: Kngwarrey (also spelled Kngwarreye or Ngwarai)
Language group: Alyawarr
Country: Ngkwarlerlanem and Arnkawenyerr
Area: Utopia Region, Central Australia
Born: 1964
Hazel Morton Kngwarrey is the daughter of Katie Kemarre and lives in northern Utopia. Initially Hazel worked in the medium of batik along with over eighty other women, including many of her family. Her work in this medium is represented in the Holmes á Court Collection which was exhibited extensively within Australia and abroad. Hazel has been painting for galleries since the early 1990’s.
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