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Our dynamic artists are from the Utopia region, a large remote area of Central Australia with no government funded art centre. It has one of the richest art histories and is strongly female led.
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About the Artists
Our dynamic artists are from the Utopia region, a large remote area of Central Australia with no government funded art centre. It has one of the richest art histories and is strongly female led.
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“The Dreamtime is the mythological representation of what Aboriginal people carry in their minds. The source of life! This knowledge has not just been planted in their minds, it is taught and structured through initiation and ceremony.” - A.P. Elkin, Professor of Anthropology, 1920’s-1930’s
“The Dreamtime is the mythological representation of what Aboriginal people carry in their minds. The source of life! This knowledge has not just been planted in their minds, it is taught and structured through initiation and ceremony.” - A.P. Elkin, Professor of Anthropology, 1920’s-1930’s
Pencil Yam Dreaming
Conkerberry Dreaming
Women's Ceremony
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The designs in this painting are inspired by the Alhepalh (Acacia dictyophleba), a sparsely branched shrub that is found abundantly near Hazel’s home in the Utopia region in Central Australia. Alhepalh produces small soft coated brown seeds that the women would once collect, grind into a paste and cook into damper (bread) making it a most important food source. This practice however is not habitual now due to ready made bread.
“Alhepalh-penh ntang inem athaynteyew”
The seeds from the alhepalh are collected so that they can be ground up.
Depending on the size of the shrub, its trunk can also be used to fashion into spears and digging sticks and was traditionally an important trade object. Alhepalh also has medicinal properties and produces small fragrant flowers.
About the artist:
Name: Hazel Morton
Skin name: Kngwarrey (also spelled Kngwarreye, Ngwarai)
Language group: Alyawarr
Country: Ngkwarlerlanem
Lives: Utopia, Central Australia
Catalogue number: SP0459
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