Past Exhibitions
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About the Artists
Our vibrant and dynamic artists are from the Utopia region; a large remote area of Central Australia which, until recently, had no government funded art centre. As a result of their pioneering efforts, they have one of the strongest and richest art histories.
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Subscribe to receive your exclusive preview of exhibitions prior to opening.
You will be able to view and purchase exhibition artworks before they go live.
Past Exhibitions
Subscribe to receive your exclusive preview of exhibitions prior to opening.
You will be able to view and purchase exhibition artworks before they go live.
Subscribe
About the Artists
Our vibrant and dynamic artists are from the Utopia region; a large remote area of Central Australia which, until recently, had no government funded art centre. As a result of their pioneering efforts, they have one of the strongest and richest art histories.
Explore More Artist Bio's >
About the Artists
Our vibrant and dynamic artists are from the Utopia region; a large remote area of Central Australia which, until recently, had no government funded art centre. As a result of their pioneering efforts, they have one of the strongest and richest art histories.
Die Dreamtime Sisters sind gute Geister, die tanzen und sich um Colleens Land kümmern. Colleen sagt, diese Schwestern seien einst lebende Menschen gewesen; ihre Vorfahren. In Colleens Land gibt es eine heilige Stätte, an der Traumzeitschwestern in die Felswände eingemeißelt sind, und auf diesen Wänden sehen sie so aus. Sie halten zeremonielle Stoffe in der Hand, mit denen sie tanzen.
In diesem Gemälde gibt es auch drei lange, verzierte ovale Formen, die von U-förmigen Symbolen flankiert werden. Die Ovale stellen die heilige Stätte dar und die U-Formen stellen Frauen dar, die Zeremonien durchführen. Die Frauen führen eine Zeremonie für Arlatyeye (heilige Yamswurzel) und ihren Samen durch. Die Traumzeitschwestern sind spirituell mit den Frauen verbunden, wie durch die dicken weißen Linien dargestellt. Die Kreismuster im gesamten Gemälde symbolisieren Wasserlöcher, die über das Land verstreut sind, oder Orte, an denen Frauen nach der Yamswurzel graben. Am unteren Rand des Gemäldes sind die hängenden Yamswurzelblätter zu sehen, die aus dem Boden auftauchen.
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